There is a joke about a doobie early on in the film, but it seems highly unnecessary for Zombie to manufacture already tired and boorish stereotypes. To wit, while it’s nice to see Welcome Back Kotter’s Freddy “Boom-Boom” Washington still kicking around on the silver screen, there’s no reason to clumsily force a Jamaican patois on his otherwise so/so character. Unfortunately, this is one of the only redeeming qualities of his filmmaking prowess, but this too is ill-conceived.
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Zombie to fetishistically roll out another series of actors who appeared in films that symbolize the grindhouse era of cinema. Each run-in with the “Heads” is a chance for Mr. The protagonists are placed in to the 31 maze, they get in to a series of fight-to-the-death skirmishes with the “Heads”, and the beatings, stabbings, and choppings commence.
What unfolds are five very gruesome, brutal, and vile torture scenes. Why 12 hours? Why is the game called 31? Why are there five sets of psychopathic “Heads” - Sick-Head, Psycho-Head, Schizo-Head, Death-Head, and Sex-Head? Again, turn off the old thinker and let Mr.
What you will find is a rag-tag group of dirty-sleazy carny hippies who are abducted by a group called the “Heads” who force the carny hippies to fight for their lives over the course of 12 hours. Was 1976 more frightening to focused-grouped millennials? Are people terrified by the concept of grindhouse films? Don’t look for answers here because you won’t find them. Zombie would choose to set the film in 1976. Vigor, but more often than not, the thin and dirty veneer is undone by a lackĪll of his films, 2016’s 31, suffers from this particular lack of focus.ģ1 is a period piece set in 1976, and while 1976 was an interesting year for our country, it is entirely unclear why, other than trotting out a stale sample of the James Gang’s song, Funk 49, Mr. Each of his films certainly embody a grit and Really do suffer from a lack of creative vision. Has always been a pinch unclear if his vision is well meaning, but ultimately
Well, chances are, you’d get the entire pastiche of 1970s clichés as funneled through the clumsy prism of the clumsiest auteur there ever once was. A dose of 1970s AM radio one-hit-wonders. If you went to Sunset Strip and asked a hip-looking millennial what elements exemplified the grindhouse cinema era, what do you think the response would be? Confused? Indifferent? Bored? Titillated? Or do you think they’d start to rattle off a listed of oft-used Rob Zombie tropes and tripe? Funky hats.